Archives de mot-clé : appareils photos – cameras

Agfa Optima 1a

Here is the other of my grandfather’s cameras that I have. This one is an Agfa Optima 1a, a 35 mm camera manufactured in Germany starting in 1962. The lens is a 45 mm f/2.8 Agnar.

The meter runs on a selenium cell, which is still functional today, and offers the option of automatic exposure. The ISO can be set from 10 to 200. Focus and film advance are both manual.

It has a hot shoe so that a flash and/or an additional viewfinder can be attached to it. I have a Tully flash with a fold out reflector, and a box still containing a few of the AG1B flashbulbs that it takes.

The camera body is made of metal and plastic, and is probably a pound or so in weight. The plastic of the film door is broken, so I haven’t been able to use the camera yet, but I’ll try to improvise a repair so I can see how it works. The metal shutter moves normally and the controls feel smooth, so I imagine that once the light leak is fixed it will probably be useable. I miss mechanical cameras, so even though this is a pretty clunky camera, it would be great to have use of it from time to time.

And here is a photo of my grandfather, close to the time he would have acquired this camera.

William O. Melvin, 1965

Kodak Bantam camera

Here’s an old Kodak Bantam folding camera I have that belonged to my grandfather, William O. Melvin. This model was made 1935-1937. It has a 53 mm f/6.3 Kodak Anastigmat lens. The body is made out of Bakelite and is very lightweight and compact. The lens and bellows pop out by means of a catch on the front of the camera. The shutter release is at the edge of the panel that holds the lens and is not apparent when the camera is folded. I’ve heard that it has just one shutter speed, but I don’t know what it is. There’s a lever that adjusts between T and I. I assume that T means time (i.e. the shutter would stay open until the lever is moved again) but I don’t know what I means. (If anyone knows, I’d love to hear from you!)

It was designed to use 828 film, which was a roll film with a backing; it’s larger than 35 mm film (135 film is 24 x 36 mm, while 828 film is 28 x 40 mm). There were just 8 shots per roll of film. I’d like to get some suitable film so I can give the camera a try.

My grandfather passed away in the 1980s, and the camera was given to me a few years ago by my aunt. (I have another of his cameras and will post about it some time soon.) Here’s a photo of him in 1926.

William O. Melvin, 1926

William O. Melvin, 1926

the role of equipment in photography

Here’s something I hear fairly often: « Great photos! You must have a really good [advanced/expensive/fancy] camera! »

This irritates me enormously. I mean, it really, really, really annoys me. Being a good photographer wouldn’t have anything to do with oh, say, knowledge of its technical aspects, or years of learning about light, or having some artistic talent, for example? Nope. Must be the camera.

How often do you hear people say, « Wow, great artwork! You must have seriously expensive paint brushes! » Right.

Back when I shot 35 mm film, I used a few different SLRs and a small variety of fixed and zoom lenses. My last film camera was a low-end manual Nikon SLR, and my everyday lens a wonderfully smooth 50 mm 1.8 that I borrowed from my brother.

The time came, however, when even that relatively lightweight camera and lens were too heavy for me to use. I have osteoarthritis and nerve damage affecting most of my body, and in particular my limbs, and as it worsened I just couldn’t carry around and hold up an SLR anymore.

Add to that the fact that I could no longer tolerate the chemicals or the physical stamina required to spend hours in my darkroom, and my decreasing ability to manage the hours of work involved in doing photo shoots, and it was looking like photography would no longer be a part of my life. I certainly couldn’t do it for work anymore.

This, as you can imagine, was a serious drag. Very, very depressing. But I figured I’d better try to be a « good sport » about the whole thing, and so I sold the SLR and dismantled the darkroom — shipping all the equipment to my brother, who hopes to one day set up his own at home — and bought a compact digital camera. It had to be something that I could carry and hold without difficulty, and that I could use in my left hand — I walk with a forearm crutch on my right side, so using that hand is sometimes a bit awkward, especially if it means raising my arm up, as one often does when taking photos.

I ended up with the Fujifilm Finepix F30, a compact digital camera that offers a good selection of exposure control — it has a manual program mode, as well as aperture priority and shutter priority, and allows exposure compensation of two stops either way in 1/3-stop increments. (It can also be used as an automatic point and shoot, and has a lot of nifty sounding scene modes, but I confess I’ve never explored those features.) I do available light photography only — never use a flash — so that, at least, wasn’t an issue. I figured this camera would give me enough control over exposure to not go completely unhinged with film+SLR-withdrawal.

Turned out, though, that for a long time it didn’t satisfy my photographic desires. I mean, I kept taking pictures, but they all felt like random snapshots. I missed my darkroom. I missed using my favourite films, with their characteristic grain.

In time, however, I managed to get over this (okay, not entirely, but to a reasonable extent.) Photography started becoming more interesting again. I started learning a little bit about colour — I had always worked with black and white film, and was, frankly, completely intimidated by colour photography, and not quite sure I really wanted to do it at all. Now I see that I can keep trying and learning and growing as a photographer.

A couple months ago I put up this web site — kind of my way of telling myself and the world that I was not done as a photographer. I didn’t have to keep thinking of myself as a former photographer. I might not do this as my full-time work anymore, but I still do it, and I love it, and I learn more and continue to be inspired by what I see around me and by other photographers’ work.

I had a point, originally, and then rambled off. Oh, right: it’s not about the equipment. Yes, you can do all sorts of groovy and wonderful things with fancy cameras and accessories. But you can also explore photography and make beautiful images with pretty basic equipment.